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In 1947, director Preston Sturges brought him out of retirement for one more film, The Sin of Harold Diddlebock. Lloyd remained very active in a number of interests after his retirement from film, including important civics and charity work with the Shriner's Organization for Children.
Lloyd was very involved with photography, including 3-D photography and early color film experiments.
These films were enormously successful and profitable, and influenced many filmakers.
Like the other great comics, Lloyd was the driving creative force in his films, particularly the feature length films, and became one of the wealthiest and most influencial figures in early Hollywood.
His films frequently contained "thrill sequences" of extended chase scenes and daredevil physical feats, for which he is best remembered today.As a consequence, his reputation and public recognition suffered in comparison with Chaplin and Keaton, whose work has generally been more available.Also, Lloyd's film character was so intimately associated with the 1920's era that he lacked the more timeless quality of Chaplin and Keaton, and attempts at revivals failed to resonate with audiences in the 1940's and 1950's.Throughout his later years he screened his films for audiences at special charity and educational events, to great acclaim.Following his death, most of his feature films were marketed by Time-Life Films, but were poorly presented, with insensitive musical scores.